“Sonnet” by Alice Moore Dunbar-Nelson

I had not thought of violets late,
The wild, shy kind that spring beneath your feet
In wistful April days, when lovers mate
And wander through the fields in raptures sweet.
The thought of violets meant florists’ shops,
And bows and pins, and perfumed papers fine;
And garish lights, and mincing little fops
And cabarets and soaps, and deadening wines.
So far from sweet real things my thoughts had strayed,
I had forgot wide fields; and clear brown streams;
The perfect loveliness that God has made,—
Wild violets shy and Heaven-mounting dreams.
And now—unwittingly, you’ve made me dream
Of violets, and my soul’s forgotten gleam.

 
 

“For a Girl I Know About to Be a Woman” by Miller Williams

Because you’ll find how hard it can be
to tell which part of your body sings,
you never should dally with any young man
who does any one of the following things:

tries to beat all the yellow lights;
says, “Big deal!” or “So what?”
more than seven times a day;
ignores yellow lines in a parking lot;

carries a radar detector;
asks what you did with another date;
has more than seven bumper stickers;
drinks beer early and whiskey late;

talks on a cellular phone at lunch;
tunes to radio talk shows;
doesn’t fasten his seat belt;
knows more than God knows;

wants you to change how you do your hair;
spits in a polystyrene cup;
doesn’t use his turn signal;
wants you to change your makeup;

calls your parents their given names;
doesn’t know why you don’t smoke;
has dirt under his fingernails;
makes a threat and calls it a joke;

pushes to get you to have one more;
seems to have trouble staying awake;
says “dago” and “wop” and words like that;
swerves a car to hit a snake;
sits at a table wearing a hat;
has a boneless handshake.

You’re going to know soon enough
the ones who fail this little test.
Mark them off your list at once
and be very careful of all the rest.

Miller Williams (April 8, 1930 – January 1, 2015)

 

***

Miller Williams was also the father of singer-songwriter Lucinda Williams.

 

(Good Read: Lucinda Williams on Compassion, via Brainpickings.org)

 

“An Almost Made Up Poem” by Charles Bukowski

I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’ all right,
go ahead, enter their lives, I’ not jealous
because we’ never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame –– not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD. we know God is dead, they’ told
us, but listening to you I wasn’ sure. maybe
it was the upper case. you were one of the
best female poets and I told the publishers,
editors, “ her, print her, she’ mad but she’
magic. there’ no lie in her fire.” I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of. I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didn’ happen. your letters got sadder.
your lovers betrayed you. kid, I wrote back, all
lovers betray. it didn’ help. you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you. I wrote back but never
heard again. a friend wrote me of your suicide
3 or 4 months after it happened. if I had met you
I would probably have been unfair to you or you
to me. it was best like this.

“An Almost Made Up Poem” by Charles Bukowski from Love is a Dog From Hell 

“To John Keats, Poet, at Spring Time’” by Countee Cullen

I cannot hold my peace, John Keats;
There never was a spring like this;
It is an echo, that repeats
My last year’s song and next year’s bliss.
I know, in spite of all men say
Of Beauty, you have felt her most.
Yea, even in your grave her way
Is laid. Poor, troubled, lyric ghost,
Spring never was so fair and dear
As Beauty makes her seem this year.
I cannot hold my peace, John Keats,
I am as helpless in the toil
Of Spring as any lamb that bleats
To feel the solid earth recoil
Beneath his puny legs. Spring beats
her tocsin call to those who love her,
And lo! the dogwood petals cover
Her breast with drifts of snow, and sleek
White gulls fly screaming to her, and hover
About her shoulders, and kiss her cheek,
While white and purple lilacs muster
A strength that bears them to a cluster
Of color and odor; for her sake
All things that slept are now awake.

And you and I, shall we lie still,
John Keats, while Beauty summons us?
Somehow I feel your sensitive will
Is pulsing up some tremulous
Sap road of a maple tree, whose leaves
Grow music as they grow, since your
Wild voice is in them, a harp that grieves
For life that opens death’s dark door.
Though dust, your fingers still can push
The Vision Splendid to a birth,
Though now they work as grass in the hush
Of the night on the broad sweet page of the earth.

“John Keats is dead,” they say, but I
Who hear your full insistent cry
In bud and blossom, leaf and tree,
Know John Keats still writes poetry.
And while my head is earthward bowed
To read new life sprung from your shroud,
Folks seeing me must think it strange
That merely spring should so derange
My mind. They do not know that you,
John Keats, keep revel with me, too.

 

(“To John Keats, Poet, At Springtime” is reprinted from “Color,” by Countee Cullen. Copyright 1925 by Harper Bros.; copyright renewed 1953 by Ida M. Cullen.)

“Broad and Yellow is the Evening Light” by Anna Akhmatova

Broad and yellow is the evening light
Tender the April coolness
You are so many years late,
Nevertheless I am glad you came.

Sit here close to me
And look on joyfully:
Here is a blue composition book
With the poems of my childhood.

Forgive me that I ignored the sun
And that I lived in sorrow
Forgive, forgive that I
Mistook too many others for you.

Anna Akhmatova (1889 – 1966)