Let there be
a calming
of the clamoring,
a stilling
of the voices that
have laid their claim
on you,
that have made their
home in you,
that go with you
even to the
holy places
but will not
let you rest,
will not let you
hear your life
with wholeness
or feel the grace
that fashioned you.
Let what distracts you
cease.
Let what divides you
cease.
Let there come an end
to what diminishes
and demeans,
and let depart
all that keeps you
in its cage.
Let there be
an opening
into the quiet
that lies beneath
the chaos,
where you find
the peace
you did not think
possible
and see what shimmers
within the storm.
Do they ever want to escape?
Climb out of the white pages
and enter our world?
Holden Caulfield slipping in the movie theater
to catch the two o’clock
Anna Karenina sitting in a diner,
reading the paper as the waitress
serves up a cheeseburger.
Even Hector, on break from the Iliad,
takes a stroll through the park,
admires the tulips.
Maybe they grew tired
of the author’s mind,
all its twists and turns.
Or were finally weary
of stumbling around Pamplona,
a bottle in each fist,
eating lotuses on the banks of the Nile.
For others, it was just too hot
in the small California town
where they’d been written into
a lifetime of plowing fields.
Whatever the reason,
here they are, roaming the city streets
rain falling on their phantasmal shoulders.
Wouldn’t you, if you could?
Step out of your own story,
to lean against a doorway
of the Five & Dime, sipping your coffee,
your life, somewhere far behind you,
all its heat and toil nothing but a tale
resting in the hands of a stranger,
the sidewalk ahead wet and glistening.
While the long grain is softening
in the water, gurgling
over a low stove flame, before
the salted Winter Vegetable is sliced
for breakfast, before the birds,
my mother glides an ivory comb
through her hair, heavy
and black as calligrapher’s ink.
She sits at the foot of the bed.
My father watches, listens for
the music of comb
against hair.
My mother combs,
pulls her hair back
tight, rolls it
around two fingers, pins it
in a bun to the back of her head.
For half a hundred years she has done this.
My father likes to see it like this.
He says it is kempt.
But I know
it is because of the way
my mother’s hair falls
when he pulls the pins out.
Easily, like the curtains
when they untie them in the evening.